Sgraffito!

SGRAFFITO

I had such great fun making this illustration on my ipad. It’s an (idealised?) amalgam of various designs I have seen on cypriot sgraffito ceramic plates and fragments. In the early 1200’s –medieval Cyprus being a Crusader kingdom under the rule of the Lusignans– a new kind of ceramic art appeared, sporting these distinctive and very appealing decorations in brownish yellow and green glazes. Α surprising number of these bowls, wine cups and plates survive, which perhaps attests to their popularity and widespread usage.

Part of their charm has to be the colour scheme, a result of copper and iron oxide glazes painted and fired on top of lines scratched through the light coloured slip, so that the natural dark colour of the clay shows through. The subject matter is sometimes just decorative patterns, but often there are figures as well: delightful damsels or pages, couples, or single male and female figures engaged in genteel pastimes, such as wine drinking or falconry!

PLATES
Exhibits at the Cyprus Medieval Museum, Limassol Castle 

I’ll leave the rest to the experts: here’s a quote and link to the Fitzwilliam Museum, Cambridge where some of these can be seen…

Cyprus has a long tradition of producing both hand-made and wheel-made pottery in an exuberant range of colours and styles of decoration that goes back to the Bronze Age. The technology of the Medieval wares shown in this exhibition was practised in many parts of the Byzantine world, but the Cypriot potters exploited their own excellent clay sources and native ingenuity to develop their own distinctive local styles.

Decorated glazed ceramics are mostly tablewares, used on a daily basis by a large section of the population in the towns and villages. A large number of ceramics are found in graves. This is probably connected with burial customs that still survive in Cyprus today, in which the priest pours oil from a vessel on to the body in the grave and then throws the vessel in on top.

http://www.fitzmuseum.cam.ac.uk/gallery/cyprus/

VITRINE
More of my pics from the Cyprus Medieval Museum, Limassol Castle 

Positive-Negative Masks

masks4

If you live in a part of the world where Carnival is celebrated, you’ll know that this is the time of year we think about disguise. Young and old dress up and go out playing pranks on each other, much like Halloween, except in Feb-March! Carnival is like a last hurrah before Lent, the austere seven weeks that precede (and prepare for) Easter. The spirit of Carnival is decidedly pagan in its origin though, very dionysian in its exuberance.

Especially if you happen to live a city that is carnival-crazy, as I currently am, it’s a good time to experiment with the idea of identity with students. Get them to jot down some ideas about what disguise really means: do we reveal something more than our day-today persona when we adopt a disguise?

kids

These notan-like masks were made by kids in the 13-14 age group. Half the mask was cut out of a dark (in this case black) piece of card. The pieces were carefully cut whole with a cutter, and saved in a plastic sleeve until time came to paste. Important: lines must be thickened to shapes so we can cut them out, and this is the greatest challenge (I’ve taught a version of Notan to different ages for 12 years.)

When all the pieces have been cut, it is time to glue them onto the background. This should be double in area. For instance, if the dark piece is A4 then the lighter, background piece of paper should be A3.

masks2

Sketches are a must, not just because it builds good habits, but because the concept of positive-negative can take some getting used to.

masks3

Key vocabulary: symmetry, reverse, balance. Bright, contrasting colours can be used as well, to great effect.

masks